Biography for
George Lucas

Birth name
George Walton Lucas Jr.
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Height
5' 6" (1.68 m)
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Mini biography
George Lucas was raised on a walnut ranch in Modesto, California. His father was a stationery store owner and he had three siblings. During his late teens he went to Downey High School and was very much interested in drag car racing. He planned to become a professional racecar driver. However a terrible car accident just after his high school graduation ended that dream permanently. The accident changed his views on life. He decided to attend Modesto Junior College before enrolling in the University of Southern California film school. As a film student he made several short films including THX-1138: 4EB (Electronic Labyinth) which won first prize at the 1967-68 National Student Film Festival. In 1967 he was awarded a scholarship by Warner Brothers to observe the making of Finian's Rainbow (1968) which was being directed by Francis Ford Coppola. Lucas and Coppola became good friends and formed a company called American Zoetrope in 1969. The company's first project was Lucas' full-length version of THX 1138 (1971). In 1971, Coppola went into production for The Godfather (1972), and Lucas formed his own company, Lucasfilm Ltd. In 1973 he wrote and directed the semi-autobiographical American Graffiti (1973) which won the Golden Globe and garnered five Academy Award nominations. This gave him the clout he needed for his next daring venture. From 1973 to 1974 he began writing the screenplay for Star Wars (1977). He was inspired to make this movie from Flash Gordon and the Planet of the Apes films. In 1975 he established ILM (Industrial Light & Magic) to produce the visual effects needed for the movie. Another company called Sprocket Systems was established to edit and mix Star Wars and later becomes known as Skywalker Sound. His movie was turned down by several studios until Twentieth Century Fox gave him a chance. Lucas agreed to forgo his directing salary in exchange for 40% of the film's box-office take and all merchandising rights. The movie went on to break all box office records and earned seven Academy Awards. It redefined the term "blockbuster". The rest is history. Lucas made the other Star Wars films and along with Steven Spielberg created the Indiana Jones series which made box office records of their own. From 1980 to 1985 Lucas was busy with the construction of Skywalker Ranch, built to accommodate the creative, technical, and administrative needs of Lucasfilm. Lucas also revloutionized movie theaters with the THX System which was created to maintain the highest quality standards in motion picture viewing. He went on to make several more movies that have created major breakthroughs in film making. He is chairman of the board of The George Lucas Educational Foundation. In 1992 George Lucas was honored with the Irving G. Thalberg Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences for his lifetime achievement.


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Spouse
Marcia Lucas (22 February 1969 - 1983) (divorced)

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Trade mark
Letters/numbers THX-1138 (name of his first "real" movie) appears in many films: The licence plate number on Milner's deuce coupe in American Graffiti (1973) was THX 138. A battle droid who captures Jar Jar Binks and the Gungans has the number 1138 written on his back. In Star Wars (1977), Luke Skywalker said (with reference to Chewbacca) "Prisoner transfer from cell block 1138." In Star Wars: Episode V - The Empire Strikes Back (1980), General Rieekan says, "Send Rogues ten and eleven (11) to station three-eight (38)."

His films usually feature a battle scene which takes place around a large shaft or pit.


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Trivia
Three adopted children: Amanda Lucas (aka Amanda Lucas, b. 1981), Katie Lucas (b. 1988), and 'Jet Lucas' (b. 1993).

Attended University of Southern California School of Cinema.

In his early twenties he was in a severe road accident and spent many months in the hospital. And when in the hospital he created the concept of the Force.

Lucas provided all the funding for Star Wars: Episode V - The Empire Strikes Back (1980), Star Wars: Episode VI - Return of the Jedi (1983) and Star Wars: Episode I - The Phantom Menace (1999).

For 2nd consecutive year, ranked No. 4 on Entertainment Weekly's annual list of "101 Most Powerful People in Entertainment." Ranked just ahead of Steven Spielberg and just behind the power couple that runs Time Warner Turner media empire.

Sits on USC School of Cinema-Television's Board of Councilors.

In the 2001 edition of the Forbes' "400 Richest People In America", it is reported that Lucas' fortune is $3 billion.

Ranked #10 in Premiere's 2003 annual Power 100 List. Had ranked #14 in 2002.

He is a diabetic

Frequently uses the famous "Wilhelm Scream" sound effect in his films. This sound effect has been used in dozens of movies.

He has created the image of always being on the cutting edge of technology. However, when he writes, he does it in longhand in a loose leaf binder rather than on a word processor.

He was so impressed with relatively unknown stage actor James Wheaton that he cast him over studio objections in the voiceover role of "OMM" in THX 1138 (1971). The studio wanted Orson Welles to play the role.

His script for Star Wars (1977) was turned down by every major Hollywood studio, the reason being that no one would want to see it. In a last ditch attempt, Lucas approached 20th Century Fox who decided to go ahead with the script even though they were convinced it would flop. Star Wars ended up becoming the highest grossing movie ever released at that time. It still ranks as one of the highest grossing movies ever made to this day.

Sold Lucasfilm's Computer Graphics Division to Apple Computer co-founder Steve Jobs, and it later became Pixar Animation Studio.

His name backwards is Egroeg Sacul. This name is also used in the Disney theme park ride Star Tours (1987).

Rewrote the ending of Raiders of the Lost Ark (1981) to tighten it up due to the fact that the scene would have been too busy. It originally ended with the mine-car chase that was later added to Indiana Jones and the Temple of Doom (1984).

Conceived Indiana Jones while on vacation with his friend Steven Spielberg in Hawaii. Lucas decided to produce while Spielberg would direct.

Had a long romantic involvement with Linda Ronstadt.

With THX 1138 (1971) and Star Wars (1977), Lucas re-invented the way sound was used in films. Using it in both a linear and abstract way, to tell the story, he pushed sound design to the forefront of the filmmaking process.

Refuses to put "critics quotes" on his movie posters. Something that infuriates many critic societies.

Ranked #16 in Premiere's 2004 annual Power 100 list. Had ranked #10 in 2003.

Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945-1985". Pages 605-610. New York: The H.W. Wilson Company, 1988.

He based the character of Han Solo on his friend Francis Ford Coppola.

He originally wanted his friend Steven Spielberg to direct Star Wars: Episode VI - Return of the Jedi (1983), but his dispute with the Director's Guild barred him from doing so. He settled for director Richard Marquand instead.

Has made two references in his films to the films of his mentor, Francis Ford Coppola. A theater marquee in American Graffiti (1973) features Dementia 13 (1963), Coppola's first film. The scene in Star Wars: Episode VI - Return of the Jedi (1983) where Leia strangles Jabba is modeled after the death of Luca Brasi in The Godfather (1972).

Became so stressed during the filming of the original Star Wars (1977) that he checked himself into a hospital, where he was diagnosed with hyper-tension.

Said that Alec Guinness was very helpful to him during the filming of the original Star Wars (1977) even to the point of getting the other actors to work more seriously.

Disowned Howard the Duck (1986) after the film's release.

When he began his apprenticeship at Warner Brothers, what he wanted to see most was the Animation Department. He claims that the day he arrived on the lot was the very day the Animation Department was closed down.

According to Lucas, one of the themes in all of his films is man's relationship to machines and technology - either controlling them, or being controlled by them.